"Unustatud Rahvad: No. 5. Vepsa Rajad: No. 10. Mis teil tehakse?" by Veljo Tormis, musica intima was released on April 3, 2006. With Unustatud Rahvad: No. 5. Vepsa Rajad: No. 10. Mis teil tehakse? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Veljo Tormis: Forgotten Peoples (Excerpts) by Veljo Tormis, musica intima. The song's track number on the album is #29 out of 34 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Unustatud Rahvad: No. 5. Vepsa Rajad: No. 10. Mis teil tehakse? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Unustatud Rahvad: No. 5. Vepsa Rajad: No. 10. Mis teil tehakse? by Veljo Tormis, musica intima has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Unustatud Rahvad: No. 5. Vepsa Rajad: No. 10. Mis teil tehakse? being at 94 テンポ, the half-time would be 47 テンポ with a double-time of 188 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucero Weekend | Crucero Vibes | D♭ Major | 1 | 3B | 159 BPM | ||
Melancholy Songs: No. 2, Maidens' Sorrow | Veljo Tormis, Iris Oja, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Minor | 0 | 8A | 92 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Alleluia-Tropus | Kammerkoor Head Ööd Vend | A Minor | 1 | 8A | 176 BPM |