"Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song" by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1987. With this song being about 5 minutes long, at 4:59, "Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song" by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi's "Grieg: Peer Gynt Op.23" album is number 14 out of 21. On top of that, Germany appears to be the country where this track was created. Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quand je fus pris au pavillon | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 1 | 2B | 124 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Ciganské melodie (Gypsy Melodies), Op. 55: 4. Songs my mother taught me (Kdyz mne stara matka) | Antonín Dvořák, Magdalena Kozená, Malcolm Martineau | G Minor | 4 | 6A | 160 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 2. Allegro agaitato | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Il Trionfo del Tiempo e del Disinganno, HWV 46a - Oratorio: "Tu del Ciel ministro eletto" | George Frideric Handel, Julia Lezhneva, Dmitry Sinkovsky, Il Giardino Armonico, Giovanni Antonini | B Major | 2 | 1B | 106 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM |