Emmerich Kálmán, Hannerose Katterfeld, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner's 'Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe"' came out on January 1, 1974. The duration of Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Dresdner Philharmonie, Chor der Staatsoper Dresden, Heinz Rögner's "Kálmán: Die Csárdásfürstin" album is number 11 out of 14. On top of that, Germany appears to be the country where this track was created. Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe" by Emmerich Kálmán, Hannerose Katterfeld, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle, Felicity Palmer | E♭ Major | 2 | 5B | 109 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
Paganini: "Gern hab ich die Frau'n geküsst" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
Land der dunklen Walder | Herbert Brust, René Kollo, RIAS-Symphonie-Orchester, Rüdiger Piesker | F Major | 3 | 7B | 88 BPM |