"Allelulia, Behold the Bridegroom" by St.Petersburg Chamber Choir was released on February 22, 2000. With this song being about 5 minutes long, at 5:29, "Allelulia, Behold the Bridegroom" by St.Petersburg Chamber Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Sacred Treasures III: Choral Masterworks from Russia and Beyond". In this album, this song's track order is #1. Allelulia, Behold the Bridegroom is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Allelulia, Behold the Bridegroom by St.Petersburg Chamber Choir having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Покаяния отверзи ми двери | St. Peter St. Paul Cathedral Choir of Minsk | G Major | 2 | 9B | 66 BPM |