Anonymous , Aaron Copland, Zuill Bailey, Lara Downes's 'Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago' came out on April 1, 2014. The duration of Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Some Other Time". In this album, this song's track order is #15. Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago by Anonymous , Aaron Copland, Zuill Bailey, Lara Downes having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Song without Words), Book 5, Op. 62: No. 30 in A Major, Op. 62, No. 6, "Fruhlingslied" (arr. for violin, cello and strings) | Anonymous, Felix Mendelssohn, Béla Bánfalvi, Karoly Botvay, Budapest Strings | A Major | 1 | 11B | 102 BPM | ||
Exaudit Te Dominus | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 73 BPM | ||
Les Vêpres: Hymne "Ave maris Stella" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 1 | 10B | 123 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
Kyrie XVII b | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 104 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM |