Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'Die schöne Müllerin, D. 795: XIX. Der Müller und der Bach' came out on January 1, 1972. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Die schöne Müllerin D795 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Die schöne Müllerin, D. 795: XIX. Der Müller und der Bach is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die schöne Müllerin, D. 795: XIX. Der Müller und der Bach by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 6 in E-Flat Major, D. 950: Gloria: Domine Deus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | G Major | 0 | 9B | 75 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Die schöne Müllerin, D. 795: XVI. Die liebe Farbe | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E Minor | 0 | 9A | 84 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Brahms: Liebeslieder-Walzer, Op.52 - Verses from "Polydora" - 1. Rede, Mädchen, allzu liebes | Kathleen Ferrier, Julius Patzak, Irmgard Seefried, Horst Günther, Sir Clifford Curzon, Hans Gál | F♯ Minor | 1 | 11A | 81 BPM | ||
Mailblumen blühten überall | Alexander von Zemlinsky, Susan Narucki, Schoenberg Quartet, Jan Erik van Regteren Altena, Taco Kooistra | G Minor | 1 | 6A | 72 BPM | ||
Der Einsame, Op. 41, D. 800 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 1 | 7B | 161 BPM | ||
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : VIII Variations 13 - 15 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 90 BPM |