"Requiem - Part 3 - Libera Me: Agnus Dei (II)" by Geoffrey Burgon, Jennifer Smith, Ann Murray, London Symphony Chorus, Wooburn Singers, City of London Sinfonia, Richard Hickox was released on January 1, 1978. Requiem - Part 3 - Libera Me: Agnus Dei (II) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 8 out of 11 in Burgon: Requiem; Nunc dimittis by Geoffrey Burgon, Choir of King's College, Cambridge, Stephen Cleobury, London Symphony Chorus, Richard Hickox. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem - Part 3 - Libera Me: Agnus Dei (II) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem - Part 3 - Libera Me: Agnus Dei (II) by Geoffrey Burgon, Jennifer Smith, Ann Murray, London Symphony Chorus, Wooburn Singers, City of London Sinfonia, Richard Hickox is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nunc dimittis | Geoffrey Burgon, Alan Thomas, David Bednall, Matthew Owens, Wells Cathedral Choir | A Minor | 1 | 8A | 132 BPM | ||
Nunc Dimittis (From "Tinker, Tailor, Soldier, Spy" | Camille Saint-Saëns, Geoffrey Burgon, Paul Phoenix, The Boys of the St Paul's Cathedral Choir | A Minor | 3 | 8A | 127 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Classical Oxford | Barrington Pheloung, London Metropolitan Orchestra | A Major | 1 | 11B | 65 BPM | ||
Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
Love & Friendship Harp Theme | Dianne Marshall | E♭ Major | 1 | 5B | 203 BPM | ||
Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
Heart of the Moment | Paolo MIllon, Neon Lilith, Francine La Bouvette | E Minor | 3 | 9A | 132 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | A♭ Major | 1 | 4B | 80 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM |