"Tavener: The Protecting Veil: VIII. The Protecting Veil" by John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra had its release date on March 1, 2010. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Tavener: The Protecting Veil: VIII. The Protecting Veil's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best Adagios, so we believe that "Tavener: The Protecting Veil: VIII. The Protecting Veil" is a single. In terms of popularity, Tavener: The Protecting Veil: VIII. The Protecting Veil is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tavener: The Protecting Veil: VIII. The Protecting Veil by John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord's Prayer (1999) | John Tavener, Anonymous 4 | G Major | 0 | 9B | 125 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
MAGNIFICAT: III. Quia fecit | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Magne H. Draagen, Øyvind Gimse | G Major | 2 | 9B | 120 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 | Johann Sebastian Bach, Anderson & Roe | E♭ Major | 0 | 5B | 69 BPM | ||
Trinity Requiem: In paradisum | Robert Moran, Trinity Youth Chorus, Robert Ridgell | A♭ Major | 1 | 4B | 82 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM |