"Impressies bij Saul en David, On the tragic death of Saul" by Rachel Ann Morgan, Edward Witsenburg was released on May 1, 2005. The duration of Impressies bij Saul en David, On the tragic death of Saul is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Impressies bij Saul en David, On the tragic death of Saul's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rachel Ann Morgan's "King David and his harp, Handel, Ippolitov-Ivanov, Spier" album is number 22 out of 22. On top of that, France appears to be the country where this track was created. In terms of popularity, Impressies bij Saul en David, On the tragic death of Saul is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Impressies bij Saul en David, On the tragic death of Saul by Rachel Ann Morgan, Edward Witsenburg to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
3 Danzas Andaluzas, Op. 8: No. 2, Tango (Arr. for String Orchestra by Anonymous) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 105 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
3 Gymnopedies (arr. for flute and piano): No. 2. Lent et triste | Erik Satie, Kenneth Smith, Paul Rhodes | F Major | 1 | 7B | 79 BPM | ||
Silken shoes | Frederick Delius, Rachel Ann Morgan | A♭ Major | 0 | 4B | 87 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Danny boy | Rachel Ann Morgan | E♭ Major | 0 | 5B | 173 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM |