"Piazzolla / Orch. Ducros: Ave Maria, "Tanti anni prima"" by Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra was released on February 26, 2021. With this song being about 5 minutes long, at 4:51, "Piazzolla / Orch. Ducros: Ave Maria, "Tanti anni prima"" by Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Piazzolla Stories". In this album, this song's track order is #10. In terms of popularity, Piazzolla / Orch. Ducros: Ave Maria, "Tanti anni prima" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla / Orch. Ducros: Ave Maria, "Tanti anni prima" by Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Goldberg Variations: Aria (1) | Jacques Loussier Trio | G Major | 2 | 9B | 128 BPM | ||
Oblivion - Instrumental | Tanghetto | C Minor | 2 | 5A | 149 BPM | ||
María de Buenos Aires, Pt. 1: Yo Soy María | Astor Piazzolla, Luciana Mancini, Christopher Sprenger, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra | A Minor | 4 | 8A | 143 BPM | ||
Malena | Aníbal Troilo, Francisco Fiorentino | B Minor | 3 | 10A | 122 BPM | ||
Eu sei che vou te amar | Amores Tangos | C Major | 2 | 8B | 75 BPM | ||
Taquito Militar | Mariano Mores | A Minor | 6 | 8A | 141 BPM | ||
Melodia Oriental | Sexteto Mayor | D♭ Minor | 2 | 12A | 119 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Mas que nada (arr.Walter Despalj) | Die 12 Cellisten der Berliner Philharmoniker | E Minor | 1 | 9A | 91 BPM |