"Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto" by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula was released on January 1, 1993. With this song being about 5 minutes long, at 5:06, "Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto" by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pavel Hula, Bohumil Kotmel's "Leclair, Viotti, Spohr, Beriot: Due virtuosi" album is number 11 out of 12. In terms of popularity, Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Sonata for Violin Solo No.3 in C, BWV 1005: 4. Allegro assai | Johann Sebastian Bach, Gidon Kremer | C Major | 2 | 8B | 138 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM |