Johann Joachim Quantz, Ensemble Labirinto Armonico's 'Trio Sonata in G Minor, QV 2:34: I. Grave' came out on July 15, 2022. The duration of Trio Sonata in G Minor, QV 2:34: I. Grave is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Trio Sonata in G Minor, QV 2:34: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Quantz: Trio Sonatas". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Trio Sonata in G Minor, QV 2:34: I. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in G Minor, QV 2:34: I. Grave by Johann Joachim Quantz, Ensemble Labirinto Armonico having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Flute Quartet No. 4 in G Minor: III. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Elizabeth Field, Daniel Elyar, Stephanie Vial, David Schulenberg | F Minor | 3 | 4A | 115 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": I. Allegro non molto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | D♭ Minor | 1 | 12A | 99 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM |