"Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue" by Pyotr Ilyich Tchaikovsky, Andrés Cárdenes, Dallas Symphony Orchestra, Jaap Van Zweden was released on April 1, 2012. With Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Tchaikovsky: Symphony No. 4 - Suite No. 4, "Mozartiana"". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue by Pyotr Ilyich Tchaikovsky, Andrés Cárdenes, Dallas Symphony Orchestra, Jaap Van Zweden having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
Coppélia: Galop final | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 3 | 5B | 79 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM |