"Sonata No. 7 in C Minor: IV. Gavotte" by Silvius Leopold Weiss, Jakob Lindberg was released on March 1, 2006. With Sonata No. 7 in C Minor: IV. Gavotte being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss, S.L.: Lute Music, Vol. 1 - Lute Sonatas Nos. 4, 7, 29 / Preludes by Silvius Leopold Weiss, Jakob Lindberg. The song's track number on the album is #7 out of 22 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Sonata No. 7 in C Minor: IV. Gavotte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata No. 7 in C Minor: IV. Gavotte by Silvius Leopold Weiss, Jakob Lindberg has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 7 in C Minor: IV. Gavotte being at 94 テンポ, the half-time would be 47 テンポ with a double-time of 188 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tant que vivrai | Claudin de Sermisy, Harmonia Recorder Ensemble | G Major | 0 | 9B | 124 BPM | ||
Toccata Arpeggiata | Giovanni Girolamo Kapsberger, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Suite in G Minor: I. Prélude | François Dufaut, Jonas Nordberg | F Major | 0 | 7B | 133 BPM | ||
Trio Sonata in G Minor, RV 85: II. Larghetto (Arr. for Baroque Ensemble by Wolfgang Katschner) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
La gambade: Menuet | Francesca Torelli, Charles Mouton | G Minor | 0 | 6A | 130 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM |