"Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato)" by Pyotr Ilyich Tchaikovsky, Netherlands Radio Philharmonic Orchestra, Anatole Fistoulari was released on January 1, 1973. The duration of Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato) by Pyotr Ilyich Tchaikovsky, Netherlands Radio Philharmonic Orchestra, Anatole Fistoulari having a テンポ of 58 with a half-time of 29 テンポ and a double-time of 116 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cake | FELIPE PRO GAMER YT | A Minor | 1 | 8A | 68 BPM | ||
Lullaby No. 3 in E Minor | Ran Raiten | E♭ Minor | 1 | 2A | 119 BPM | ||
Inner child | $aint$arah | C Major | 2 | 8B | 120 BPM | ||
Histoire De La Forêt Viennoise | Various Artists | G Major | 1 | 9B | 166 BPM | ||
The Pianist Melancholy | Serenity Shelter | B♭ Major | 0 | 6B | 69 BPM | ||
The Thunderer | John Philip Sousa, Royal Artillery Band, Keith Brion | F Major | 5 | 7B | 116 BPM | ||
The Dark Eyes | Les Yeux Noirs | D Minor | 1 | 7A | 103 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM | ||
Succession Theme | Nich Fretz | A♭ Major | 6 | 4B | 140 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World", IV. Allegro con fuoco | Antonín Dvořák, Gustavo Dudamel, Wiener Philharmoniker | E Minor | 2 | 9A | 133 BPM |