J Hopf, Jacques Offenbach, Jules Barbier, Richard Tauber made "Es war einmal am Hofe von Eisenack (Il était une fois à la cour d'Eisenach) (Hoffmanns Erzählungen/Les Contes d'Hoffmann: Hoffman - Chor, Prolog) - 1997 Remastered Version" available on February 10, 1998. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "The Legendary Richard Tauber". In this album, this song's track order is #10. In terms of popularity, Es war einmal am Hofe von Eisenack (Il était une fois à la cour d'Eisenach) (Hoffmanns Erzählungen/Les Contes d'Hoffmann: Hoffman - Chor, Prolog) - 1997 Remastered Version is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Es war einmal am Hofe von Eisenack (Il était une fois à la cour d'Eisenach) (Hoffmanns Erzählungen/Les Contes d'Hoffmann: Hoffman - Chor, Prolog) - 1997 Remastered Version by J Hopf, Jacques Offenbach, Jules Barbier, Richard Tauber having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM | ||
Giuditta: "Freunde das Leben ist lebenswert!" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D Major | 3 | 10B | 124 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
Madama Butterfly / Act I: Ed è bella la sposa? (Sharpless, Goro, Pinkerton) | Giacomo Puccini, José Carreras, Juan Pons, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 1 | 1B | 135 BPM | ||
La Tempestad, Acto I: Estrella de los Mares (Introducción y Coro) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Coro Cantores de Madrid, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | A♭ Major | 3 | 4B | 79 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM |