Louis Couperin, Davitt Moroney made "V. Pavanne in F-Sharp Minor: 120. Pavanne" available on 1989. Since V. Pavanne in F-Sharp Minor: 120. Pavanne is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 29 out of 132 in Couperin: Complete Harpsichord Works by Louis Couperin, Davitt Moroney. Going off of the ISRC code of this track, we detected that the origin of this track is from France. V. Pavanne in F-Sharp Minor: 120. Pavanne is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of V. Pavanne in F-Sharp Minor: 120. Pavanne by Louis Couperin, Davitt Moroney is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in F Major: II. Allemande grave | Louis Couperin, Laurence Cummings | E Major | 3 | 12B | 92 BPM | ||
The Tempest: Gavot | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 169 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Harpsichord Suite No. 2 in D Minor: XXXVIII. Courante | Louis Couperin, Massimo Berghella | G Major | 2 | 9B | 172 BPM | ||
Overture (Suite) in G Minor, TWV 55:g4: III. Les Irresoluts | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Minor | 2 | 6A | 131 BPM |