André Campra, Jaël Azzaretti, William Christie's 'Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus)' came out on 2003. With Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Messe de requiem: Sed signifer sanctus Michael | André Campra, Jean-François Novelli, Les Pages et Les Chantres, Orchestre des musiques anciennes et à venir, Olivier Schneebeli | F♯ Major | 2 | 2B | 129 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: I. Chorus "Ich fahre auf zu meinem Vater" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache, Sebastian Myrus | E Major | 3 | 12B | 94 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Campra: Messe de Requiem: VII. Communion | André Campra, Emmanuelle Haïm, Emmanuelle Ifrah, Marie Perbost, Victor Sicard | F Major | 2 | 7B | 119 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Tirannide vezzosa | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM |