Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz made "L'Hirondelle inattendue: 17. Ah! Laissez moi partir" available on 2011. The duration of L'Hirondelle inattendue: 17. Ah! Laissez moi partir is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. L'Hirondelle inattendue: 17. Ah! Laissez moi partir's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Poland Abroad, Vol. 4 - Opera and Ballet". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Hirondelle inattendue: 17. Ah! Laissez moi partir is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'Hirondelle inattendue: 17. Ah! Laissez moi partir by Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: No. 12 in E Major | Johannes Brahms, Duo Degas | D Minor | 0 | 7A | 80 BPM | ||
Bonding | Anton Strandh, Henrik Lindström | B♭ Major | 0 | 6B | 66 BPM | ||
Estampes, L. 100: 3. Jardins sous la pluie | Claude Debussy, Hans Henkemans | D♭ Minor | 1 | 12A | 98 BPM | ||
6 Impromptus, Op. 5: No. 5 in B Minor | Jean Sibelius, Carmen Stefanescu | B Minor | 1 | 10A | 69 BPM | ||
Heartwarming Soundtrack from GochiUsa | Kevin Animenzz, Animenzz | A Major | 1 | 11B | 74 BPM | ||
Autumn Leaves (Arr. Daniel Rojas) | Joseph Kosma, Emily Sun, Andrea Lam | B♭ Major | 2 | 6B | 142 BPM | ||
Doorway to a Past Life | Jason Solowsky | A Minor | 0 | 8A | 66 BPM | ||
The Lost Chord - Duo-Art 0563 Br | Arthur Sullivan, Peter Phillips, Erno Rapee | G Major | 0 | 9B | 138 BPM | ||
Images - Book 2, L. 111: 3. Poissons d'or | Claude Debussy, Hans Henkemans | F Minor | 0 | 4A | 74 BPM | ||
Song of the Walnut | Bernard Hughes, Matthew Mills | A♭ Minor | 0 | 1A | 78 BPM |