"Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live" by Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra was released on January 1, 2010. Since Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra's "Mozart: Piano Concertos No. 20 in D Minor, K. 466 & No. 27 in B-Flat Major, K. 595 (Live)" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live by Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto | Frédéric Chopin, Mitsuko Uchida | B Major | 2 | 1B | 89 BPM | ||
Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie | Slovak Philharmonic, Vladimir Ruso, Jaroslava Horska, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 159 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: III. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 88 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Klavierstück in F Major, K. 33b | Wolfgang Amadeus Mozart, Lang Lang | D Major | 1 | 10B | 140 BPM |