Giovanni Pacini, David Parry, Philharmonia Orchestra's ' "Pacini: Maria, regina d'Inghilterra, Act 2: "Tutto e festa a noi d'intorno" (Lords, Ladies)" was released on its scheduled release date, January 1, 1998. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Pacini: Maria, regina d'Inghilterra, Act 2: "Tutto e festa a noi d'intorno" (Lords, Ladies)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Pacini: Maria, regina d'Inghilterra". In this album, this song's track order is #1. In terms of popularity, Pacini: Maria, regina d'Inghilterra, Act 2: "Tutto e festa a noi d'intorno" (Lords, Ladies) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pacini: Maria, regina d'Inghilterra, Act 2: "Tutto e festa a noi d'intorno" (Lords, Ladies) by Giovanni Pacini, David Parry, Philharmonia Orchestra having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op.24, TH.5 / Act 1: "Kogda bi zhizn domashnim krugom" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D Major | 1 | 10B | 80 BPM | ||
Rusalka, Op. 114 / Act 1: Hastrmánku, taticku! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 72 BPM | ||
Pacini: Carlo di Borgogna, Act 2: "Andantino. Carlo quel talamo" (Estella, Carlo) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 142 BPM | ||
Die Fledermaus / Act 1: "So muss allein ich bleiben" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Wiener Philharmoniker, André Previn | C Major | 2 | 8B | 131 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Te Deum in D Major "Dettingen", HWV 283: Dignare o Domine | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Quartet No. 2 for Two Violins, Viola and Cello in C Major: III. Andantino affettuoso | Giovanni Pacini, Quartetto di Catania | G Major | 1 | 9B | 93 BPM | ||
Pacini: Carlo di Borgogna, Act 1: "Del ciel cura, quest'alloro" (Estella, Chorus) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | D Major | 2 | 10B | 119 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM |