Marcos Redondo, Delfín Pulido's 'Molinos de Viento: Dúo y serenata: ¿Qué canto...' came out on October 15, 2002. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Zarzuela: Golondrina de Madrid / Molinos de Viento" album is number 11 out of 15. On top of that, Spain appears to be the country where this track was created. Molinos de Viento: Dúo y serenata: ¿Qué canto... is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Molinos de Viento: Dúo y serenata: ¿Qué canto... by Marcos Redondo, Delfín Pulido to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pan y Toros: "Al Son de las Guitarras" | José Picón, Francisco Asenjo Barbieri, Gran Orquesta Sinfonica | F Major | 1 | 7B | 83 BPM | ||
Luisa Fernanda: Mazurca de las Sombrillas | Federico Moreno Torroba, Rafael Frühbeck de Burgos | C Major | 5 | 8B | 123 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
El Canastillo de Fresas "Estudiantina" | Marcos Redondo | C Major | 3 | 8B | 120 BPM | ||
Maruxa "Aquí N'este Sitio Canto" | Marcos Redondo | A Minor | 2 | 8A | 76 BPM | ||
Entre Sevilla y Triana: "Sevillanas y zorongo" | Florencio Calpe, Ana Maria Olaria | G Minor | 4 | 6A | 96 BPM | ||
Malia | Francesco Paolo Tosti, Joaquin Pixan, Giovanni Auletta | A♭ Major | 2 | 4B | 81 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM |