Ludwig van Beethoven, Jenő Jandó made "Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto" available on December 15, 1988. The duration of Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto is about 3 minutes long, at 3:07. Based on our data, "Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 14 in Beethoven: Piano Sonatas Nos. 4, 13, 22 and 19-20, Op. 49 by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Piano Sonata No. 20 in G Major, Op. 49, No. 2: II. Tempo di Menuetto by Ludwig van Beethoven, Jenő Jandó is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in D Major, Op. 25: II. Menuetto | Aralee Dorough, Jennifer Owen, Linda Goldstein | D Major | 1 | 10B | 103 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Piano Sonata in E Minor, Op. 7: III. Alla Menuetto, ma poco piu lento | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 78 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Liebeslieder-Walzer, Op.52 - Orchestral Version: No.8 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | A♭ Major | 1 | 4B | 100 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Piano Sonata No. 13 In E Flat Major, Op. 27, No. 1: 3. Adagio con espressione | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 138 BPM | ||
10 Hungarian Dances, Woo 1 (Version For Piano): No. 1 In G Minor | Johannes Brahms, Idil Biret | G Minor | 1 | 6A | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |