Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam made "Cinéma: No. 4. Walt Disney" available on May 1, 2015. With Cinéma: No. 4. Walt Disney being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 14 in Aubert: Orchestral Works by Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cinéma: No. 4. Walt Disney is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Cinéma: No. 4. Walt Disney by Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM |