Gioachino Rossini, John Aler, Sumi Jo, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner made "Le Comte Ory / Act 2: "Ah! quel respect, Madame"" available on August 11, 1989. Since Le Comte Ory / Act 2: "Ah! quel respect, Madame" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Rossini: Le Comte Ory". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Le Comte Ory / Act 2: "Ah! quel respect, Madame" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Le Comte Ory / Act 2: "Ah! quel respect, Madame" by Gioachino Rossini, John Aler, Sumi Jo, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Il Barbiere di Siviglia: Piano, pianissimo | Gioachino Rossini, Cesare Sterbini, George Cehanovsky, Giuseppe Di Stefano, Alberto Erede | G Major | 1 | 9B | 110 BPM | ||
Il viaggio a Reims: Signor, ecco una lettera | Gioachino Rossini, Katia Ricciarelli, Lella Cuberli, Lucia Valentini Terrani, Cecilia Gasdia, Leo Nucci, Ruggero Raimondi, Francisco Araiza, Edoardo Gimenez, Ernesto Gavazzi, Samuel Ramey, Enzo Dara, Giorgio Surjan, Antonella Bandelli, Raquel Pierotti, Chamber Orchestra of Europe, Claudio Abbado | C Major | 1 | 8B | 85 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM |