Luciano Pavarotti, Trisha Yearwood made "Adeste Fideles (O come, all ye faithful) - Live" available on January 1, 1998. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Pavarotti & Friends for the Children of Liberia". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Adeste Fideles (O come, all ye faithful) - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adeste Fideles (O come, all ye faithful) - Live by Luciano Pavarotti, Trisha Yearwood having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amazing Grace | Bryn Terfel, Danielle de Niese, Metro Voices, Pete Murray, Czech Philharmonic, Paul Bateman | A Major | 6 | 11B | 95 BPM | ||
Hymne des Fraternisés: I'm dreaming of home | Philippe Rombi, Natalie Dessay, London Symphony Orchestra | A♭ Major | 1 | 4B | 133 BPM | ||
Ave Maria, Dolce Maria | Luciano Pavarotti, Vittoriano Benvenuti, Coro dell'Antoniano, Orchestra del Teatro Comunale di Bologna, Leone Magiera | F♯ Major | 3 | 2B | 168 BPM | ||
Silent Night | Gregorian | C Major | 3 | 8B | 71 BPM | ||
Messiah: Highlights: Hallelujah - Voice | George Frideric Handel, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | ||
Ave Maria | Olga Zinovieva, Giulio Caccini | F♯ Major | 1 | 2B | 166 BPM | ||
Trad / Arr Prizeman: Angels We Have Heard on High | Anonymous, Libera, Robert Prizeman | G Major | 4 | 9B | 116 BPM | ||
Adeste Fideles | John Francis Wade, Vienna Boys' Choir, Schubert Akademie, Gerald Wirth | G Major | 2 | 9B | 81 BPM | ||
Quando Sento Che Mi Ami | Sissel, José Carreras | C Major | 6 | 8B | 78 BPM | ||
Stille natt (Stille Nacht, Silent Night) | Franz Xaver Gruber, The Cathedral Singers, Richard Proulx | D Major | 1 | 10B | 90 BPM |