"Schwanensee, Op. 20: Act III No. 19: Pas de six" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. With Schwanensee, Op. 20: Act III No. 19: Pas de six being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Schwanensee, Op. 20: Act III No. 19: Pas de six's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act III No. 19: Pas de six by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Lisa Batiashvili, Sakari Oramo, Radion sinfoniaorkesteri | D Major | 1 | 10B | 61 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): II. Cortege | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 87 BPM | ||
Schwanensee, Op. 20: Act I No. 4: Pas de trois | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 1 | 11B | 101 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Idil Biret | F Major | 1 | 7B | 74 BPM | ||
Schwanensee, Op. 20: Act I No. 4: Pas de trois | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 1 | 6B | 119 BPM | ||
Vremena goda, Op. 67: XV. Allegro | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | F Major | 2 | 7B | 121 BPM | ||
Carmen Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D♭ Major | 1 | 3B | 115 BPM | ||
Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM |