"6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie" by Lang Lang was released on November 15, 2019. The duration of 6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 47 in the song's album "Piano Book (Encore Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. 6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie by Lang Lang having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Prelude in B minor | Johann Sebastian Bach/Alexander Siloti, James Rhodes | B Minor | 1 | 10A | 114 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM |