"Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. Since Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Overtures" album is number 6 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ruy Blas, Op. 95 - Overture to Victor Hugo's play: Lento - Allegro molto by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: I: Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | A Minor | 0 | 8A | 176 BPM | ||
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 93 BPM | ||
Le Tombeau de Couperin, M.68: 4. Rigaudon | Maurice Ravel, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 0 | 4B | 74 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 2 | 10B | 76 BPM | ||
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant). Presto | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 5 | 9B | 119 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 2 | 3A | 85 BPM |