"Wo ist Brünnhild´, wo die Verbrecherin? (Die Walküre)" by Martha Kuhn-Liebel, Maria Reining, Trude Eipperle, Paula Baumann, Fritz Krauss, Orchester des Reichssenders Stuttgart, Josef von Manowarda, Helene Jung, Carin Carlsson, Erna Schlüter, Rudolf Bockelmann, Elisabeth Waldenau, Magda Strack, Irma Roster, Paula Kapper was released on September 25, 2006. Wo ist Brünnhild´, wo die Verbrecherin? (Die Walküre) appears to be safe for all ages as it is not explicit. The song is number 10 out of 12 in Die Walküre by Richard Wagner. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Wo ist Brünnhild´, wo die Verbrecherin? (Die Walküre) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wo ist Brünnhild´, wo die Verbrecherin? (Die Walküre) by Martha Kuhn-Liebel, Maria Reining, Trude Eipperle, Paula Baumann, Fritz Krauss, Orchester des Reichssenders Stuttgart, Josef von Manowarda, Helene Jung, Carin Carlsson, Erna Schlüter, Rudolf Bockelmann, Elisabeth Waldenau, Magda Strack, Irma Roster, Paula Kapper is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde: Mild und leise - Liebestod | Birgit Nilsson | C Major | 4 | 8B | 76 BPM | ||
La fille du régiment / Act 1: Je suis soldat | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, Eric Garrett, Dame Joan Sutherland, Monica Sinclair, Jules Bruyere, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 2 | 3B | 77 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
Nabucco / Act 3: "Va, pensiero" (Chorus of the Hebrew Slaves) | Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | D♭ Major | 1 | 3B | 77 BPM | ||
Norma: "Deh! Non volerli vittime" | Leyla Gencer, Orchestra Del Teatro Alla Scala, Milano | E Minor | 4 | 9A | 88 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Nabucco / Act 3: Oh, chi piange? / Del futuro nel buoio discerno | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | B Major | 2 | 1B | 98 BPM | ||
Fidelio, Op. 72, Act I: Aria and Chorus: Ha! welch ein Augenblick! | Ludwig van Beethoven, Boris Christoff, Bulgarian Radio Symphony Orchestra, Ettore Gracis | D Major | 4 | 10B | 128 BPM | ||
Don Pasquale, Act II Quinta Scena: Io? Io? (Pasquale/Ernesto/Malatesta/Norina) | Gaetano Donizetti, Sesto Bruscantini/Gösta Winbergh/Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D Major | 4 | 10B | 139 BPM | ||
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM |