Jean-Baptiste Lully, Jean-François Gardeil, Guillemette Laurens, Les Arts Florissants, William Christie's 'Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus)' came out on February 28, 1987. The duration of Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 14 out of 74. On top of that, France appears to be the country where this track was created. In terms of popularity, Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus) by Jean-Baptiste Lully, Jean-François Gardeil, Guillemette Laurens, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Isis, LWV 54, Acte 2, Scène 7: "Aimez, profitez du temps" (Deux nymphes) | Jean-Baptiste Lully, Julie Calbète, Julie Vercauteren, Christophe Rousset, Les Talens Lyriques | E♭ Major | 3 | 5B | 107 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa, Partie I "Non havea Febo ancora" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 0 | 8B | 104 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM |