Jacques Hotteterre, Mirjam Nastasi made "L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor" available on April 3, 2012. The duration of L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 11 in Die Soloflote, Vol. 1: Barock by Mirjam Nastasi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor by Jacques Hotteterre, Mirjam Nastasi is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole du Quatrième Livre, suite d’un goût étranger: La Rêveuse, IV. 82 (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | E Minor | 1 | 9A | 82 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Sonata No.2 in E flat major, BWV 1031 - For Flute and Harp: 2. Siciliano | Johann Sebastian Bach, Irena Grafenauer, Maria Graf | G Minor | 0 | 6A | 101 BPM | ||
Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta | Raaf Hekkema, Calefax | E♭ Major | 1 | 5B | 72 BPM | ||
Adagio patetico in Op. 33, No. 10 | Ernesto Köhler, Mirjam Nastasi | A Minor | 0 | 8A | 81 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Sicilienne pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | D Minor | 0 | 7A | 70 BPM | ||
Lakmé: Dôme épais, le jasmin | Léo Delibes, Quatuor La Flûte Enchantée | A Major | 1 | 11B | 123 BPM |