La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2)
- テンポ
- 83
- キー
- C Major
- キャメロットミュージックキー
- 8B
La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) - Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid 情報
- 音響性
- 97%
- ダンサビリティ
- 14%
- エネルギー
- 9%
- 手段性
- 43%
- 活気
- 11%
- ラウドネス
- 67%
- 話し言葉
- 4%
- 価数
- 8%
- 人気
- 6%
- ラウドネス
- -19.927 dB
まとめ
"La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2)" by Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid was released on January 1, 1994. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 7 out of 12. La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) テンポ
We consider the tempo marking of La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) by Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) キー
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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|---|---|---|---|---|---|---|---|
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 | Sorozábal: La tabernera del puerto, Act 2: Romanza, "No puede ser" (Leandro) | Pablo Sorozábal, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | F♯ Major | 2 | 2B | 129 BPM | |
 | Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) - Live | Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele | B♭ Major | 3 | 6B | 99 BPM | |
 | Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | |
 | Doña Francisquita, Act I: El Lañador (Lañador, Buhonera, Cardona, Fernando, Aurora, Irene, francisquita, Doña francisca, Doña Liberata, Doña Basilisa, Lorenzo, Juan Andrés) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Emilio Sanchez, María Luisa Maesso, Santiago Jerico, Alfredo Kraus, Raquel Pierotti, Merceder Eleman Herrera, Maria Bayo, Rosa Maria Ysas, Encarna Santana Hernandez, Beatriz Gonzalez Ramos, Ismael Ponz, Alfonso Lopez Raymond | A Major | 2 | 11B | 77 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) - Sung in French/Original Paris version for tenor (1774) / Act 1: "Eurydice! Eurydice! De ce doux nom" | Christoph Willibald Gluck, Juan Diego Flórez, Orquesta Sinfónica de Madrid, Jesús López-Cobos | C Major | 1 | 8B | 114 BPM | |
 | Aida / Act 2: Danza di piccoli schiavi mori "Vieni: sul crin ti piovano" | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | |
 | Il Trovatore / Act 4: "Parlar non vuoi?" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 81 BPM | |
 | Luis Fernanda, Act II, Scene 1: En la Romería de San Antonio de la Florida (Carolina, Mariana, Rosita, Javier, Bizco, Damiselas, Pollos, Vendedor, Vendedora) | Federico Moreno Torroba, Ana Rodrigo, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Rosa Ma Ysàs, Coro de la Universidad Politécnica de Madrid, Isabel Monar, Plácido Domingo, Gregorio Poblador, José Alberto Jáñez, José Manzaneda, Juan Lomba, Amalia Barrio | G Major | 1 | 9B | 126 BPM | |
 | La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records