"The Pier (from "Never Let Me Go", Arr. for Piano & Cello)" by Rachel Portman, Raphaela Gromes was released on March 3, 2023. The duration of The Pier (from "Never Let Me Go", Arr. for Piano & Cello) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Pier (from "Never Let Me Go", Arr. for Piano & Cello)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Beyond the Screen - Film Works on Piano by Rachel Portman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Pier (from "Never Let Me Go", Arr. for Piano & Cello) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Pier (from "Never Let Me Go", Arr. for Piano & Cello) by Rachel Portman, Raphaela Gromes is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | ||
Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
Maria - Theme | Guy Farley | F Major | 3 | 7B | 80 BPM | ||
Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
In Retrospect | Jacob Mühlrad | C Minor | 2 | 5A | 72 BPM | ||
Theme for Ennio | HAUSER, Andrea Morricone | A♭ Minor | 2 | 1A | 142 BPM | ||
Palimpsest | Will Bates | A♭ Major | 0 | 4B | 68 BPM | ||
Nocturne II | Olivia Belli | G Major | 1 | 9B | 91 BPM | ||
Train Journey | Stephen Warbeck | E Minor | 1 | 9A | 120 BPM |