Doris Day, Frank DeVol & His Orchestra's 'Hooray for Hollywood (with Frank DeVol & His Orchestra)' came out on January 1, 1959. The duration of Hooray for Hollywood (with Frank DeVol & His Orchestra) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Hooray for Hollywood (with Frank DeVol & His Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Doris Day's "Hooray For Hollywood - Volume I" album is number 1 out of 12. Based on our statistics, Hooray for Hollywood (with Frank DeVol & His Orchestra)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hooray for Hollywood (with Frank DeVol & His Orchestra) by Doris Day, Frank DeVol & His Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Are In Love | Harry Connick, Jr. | G Major | 3 | 9B | 200 BPM | ||
Yes, I'm Lonesome Tonight | Dodie Stevens | F Major | 1 | 7B | 64 BPM | ||
Star Eyes | Helen O'Connell | D♭ Major | 2 | 3B | 91 BPM | ||
Did You See Jackie Robinson Hit That Ball? | Natalie Cole | C Minor | 5 | 5A | 119 BPM | ||
Sing, Sing, Sing (Introducing "Christopher Columbus") | Benny Goodman | F Major | 4 | 7B | 71 BPM | ||
You Belong To Me | Patsy Cline, The Jordanaires | E♭ Major | 1 | 5B | 109 BPM | ||
Mambo Italiano - 2005 Remaster | Alma Cogan | B♭ Minor | 4 | 3A | 152 BPM | ||
Sound Off | Vaughn Monroe | F Major | 7 | 7B | 114 BPM | ||
I Should Not Be Seeing You - From "Retrospective: The Music Of Mad Men" Soundtrack | Connie Conway | A♭ Major | 2 | 4B | 76 BPM | ||
Kiss Of Fire | Billy Eckstine | D Minor | 3 | 7A | 105 BPM |