Brian May, University of Washington Husky Marching Band, Dr. Brad McDavid's 'Fat Bottom Girls' had a release date set for January 1, 2002. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "University of Washington Husky Marching Band - Let's Groove". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Fat Bottom Girls is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fat Bottom Girls by Brian May, University of Washington Husky Marching Band, Dr. Brad McDavid having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude | Franz Waxman | D Minor | 2 | 7A | 85 BPM | ||
Slam Dunk / Van to Fair / Jesus - (Bonus Track) [2015 Remaster] | Brian May | A Major | 2 | 11B | 46 BPM | ||
Corrupt Music | Dany Safari | D Minor | 3 | 7A | 146 BPM | ||
Hellbound / Second Sight Seance | Christopher Young | A Major | 4 | 11B | 86 BPM | ||
Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
He’s The One Alright | Don Davis | D Minor | 3 | 7A | 134 BPM | ||
Metropolis: I. Auftakt: Maschinen | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 3 | 9A | 144 BPM | ||
Sally's Death - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
We've Got A Situation | Scot Stafford | E♭ Major | 1 | 5B | 116 BPM | ||
Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM |