"South American Getaway (arr. Walter Despalj)" by Die 12 Cellisten der Berliner Philharmoniker was released on 2000. With this song being about 5 minutes long, at 4:50, "South American Getaway (arr. Walter Despalj)" by Die 12 Cellisten der Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "South American Getaway". In this album, this song's track order is #13. South American Getaway (arr. Walter Despalj) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With South American Getaway (arr. Walter Despalj) by Die 12 Cellisten der Berliner Philharmoniker having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
Poulenc: Figure humaine, FP 120: I. De tous les printemps du monde (Arr. for String Ensemble) | Francis Poulenc, Die 12 Cellisten der Berliner Philharmoniker | F♯ Major | 0 | 2B | 93 BPM | ||
Libertango (The Tango Lesson) | Die 12 Cellisten der Berliner Philharmoniker | D Major | 3 | 10B | 116 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
A solis ortus cardine | Volker Schlott, Die 12 Cellisten der Berliner Philharmoniker, Jocelyn B. Smith | C Minor | 0 | 5A | 97 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM |