Jean-Marie Leclair, Greg Ewer, Adam LaMotte's ' "Sonata for 2 Violins in F Major, Op. 3, No. 4: I. Allegro assai" was released on its scheduled release date, March 4, 2014. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Sonata for 2 Violins in F Major, Op. 3, No. 4: I. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Marie Leclair, Greg Ewer's "Leclair: The Complete Sonatas for 2 Violins" album is number 10 out of 41. On top of that, United States appears to be the country where this track was created. Based on our statistics, Sonata for 2 Violins in F Major, Op. 3, No. 4: I. Allegro assai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata for 2 Violins in F Major, Op. 3, No. 4: I. Allegro assai by Jean-Marie Leclair, Greg Ewer, Adam LaMotte to be Allegro (fast, quick, and bright) because the track has a tempo of 149 テンポ, a half-time of 74テンポ, and a double-time of 298 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Major, No. 6: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 104 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: IV. Adagio | Arcangelo Corelli, Enrico Onofri | E Minor | 0 | 9A | 189 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto in D Major, Op. 6 No. 12: II. Largo tempo giusto | Charles Avison, Café Zimmermann | B Major | 5 | 1B | 101 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM |