"On Her Majesty's Secret Service: We Have All the Time In the World (Arr. C. Egan and a. Vinter)" by Adam Goldsmith, Dave Holmes, Andy Pask, Ian Thomas, Philharmonia Orchestra, Carl Davis was released on January 1, 2013. The duration of On Her Majesty's Secret Service: We Have All the Time In the World (Arr. C. Egan and a. Vinter) is about 3 minutes long, at 3:16. Based on our data, "On Her Majesty's Secret Service: We Have All the Time In the World (Arr. C. Egan and a. Vinter)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 25 in BOND for Orchestra by Carl Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. On Her Majesty's Secret Service: We Have All the Time In the World (Arr. C. Egan and a. Vinter) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On Her Majesty's Secret Service: We Have All the Time In the World (Arr. C. Egan and a. Vinter) by Adam Goldsmith, Dave Holmes, Andy Pask, Ian Thomas, Philharmonia Orchestra, Carl Davis is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To The Mattresses | George Fenton | A Minor | 4 | 8A | 143 BPM | ||
PATTON: Intermission | The Meridian Studio Ensemble | F Major | 7 | 7B | 120 BPM | ||
Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
St Elmos Fire (Main Theme) | The Intermezzo Orchestra | A♭ Major | 3 | 4B | 124 BPM | ||
Quantum of Solace: Another Way to Die (arr. C. Egan and A. Vinter) | Pavel Šporcl, Adam Goldsmith, Dave Holmes, Andy Pask, Andy Vinter, Ian Thomas, Philharmonia Orchestra | E Major | 6 | 12B | 70 BPM | ||
The Battle of Britain (Theme) | Czech Philharmonic Chamber Orchestra | C Minor | 6 | 5A | 120 BPM | ||
Finale (Angels In The Outfield) | Randy Edelman | C Major | 3 | 8B | 80 BPM | ||
Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
Platoon Swims | Lennie Niehaus | C Major | 2 | 8B | 77 BPM | ||
La Fille Du Puisatier | Alexandre Desplat | F♯ Major | 1 | 2B | 93 BPM |