Arthur Honegger, Christian Tetzlaff, Christian Poltéra's 'Sonatina for Violin and Cello, H. 80: III. Allegro' came out on October 3, 2007. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Honegger, Christian Poltéra, Tuomas Ollila-Hannikainen's "Honegger: Cello Concerto / Cello Sonata / Cello Sonatina / Sonatina for Violin and Cello" album is number 10 out of 10. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Sonatina for Violin and Cello, H. 80: III. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonatina for Violin and Cello, H. 80: III. Allegro by Arthur Honegger, Christian Tetzlaff, Christian Poltéra to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Le Roi David, H 37, Part. 1: Marche des Philistins | Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, Christophe Balissat, L'Orchestre de la Suisse Romande | F Major | 2 | 7B | 86 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Honegger: Napoléon: Violine | Arthur Honegger, Marius Constant, Orchestre Philharmonique de Monte-Carlo | F♯ Minor | 0 | 11A | 88 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM |