On June 6, 2003, the song "Maine Sada Lagaya - Studio" was released by Suresh Wadkar Sanjeev Kumar, Nikhil. Maine Sada Lagaya - Studio is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Om Jai Bajrang (Studio)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Maine Sada Lagaya - Studio is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Maine Sada Lagaya - Studio by Suresh Wadkar Sanjeev Kumar, Nikhil having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mandir Mein Tum Ram Ho Sai | Shaan | B♭ Minor | 5 | 3A | 127 BPM | ||
Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
Durga Ji Ki Aarti | Sudhanshu Tiwari | E♭ Major | 5 | 5B | 93 BPM | ||
Mujhko Basalo Brijdham | Maanya Arora | A Major | 5 | 11B | 80 BPM | ||
Hamein De Ke Aawaz Maa Bula Lo | Sonu Nigam | D♭ Major | 7 | 3B | 107 BPM | ||
Kaal Bhairav Chalisa | Manoj Mishra | A♭ Major | 4 | 4B | 108 BPM | ||
Parameshwaraya | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
Bhajle Prani Re Agyani | Prem Bhushan Maharaj | D Minor | 6 | 7A | 109 BPM | ||
Shri Ram Janki | Rasraj Ji Maharaj | F♯ Major | 7 | 2B | 92 BPM | ||
Jaya Janardhana Krishna | Shazi Ahmad | A♭ Major | 5 | 4B | 150 BPM |