Erik Satie, Alexandre Tharaud made "Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka" available on January 20, 2009. With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #21. In terms of popularity, Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: IV. Mazurka by Erik Satie, Alexandre Tharaud having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Arabeske in C Major, Op. 18: No. 3 Minore II | Robert Schumann, Maria João Pires | B♭ Major | 1 | 6B | 173 BPM | ||
3 Sonneries De La Rose+Croix: Air De L'ordre | Erik Satie, Klara Kormendi | C Major | 0 | 8B | 125 BPM | ||
Années de pèlerinage II, S. 161: II. Il Penseroso | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 63 BPM | ||
Sonata for Piano 4 Hands: 2. Rustique (Naïf et lent) | Francis Poulenc, Arthur Jussen, Lucas Jussen | C Major | 0 | 8B | 93 BPM | ||
Sonatina in F Major, Op. 36 No. 4: III. Rondeau. Allegro vivace | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 105 BPM | ||
12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | ||
Impresiones intimas: 1. Planys I | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 109 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: II. Valse | Erik Satie, Alexandre Tharaud | E♭ Major | 3 | 5B | 190 BPM |