The Manhattan Pops made "The Waves of the Danube" available on September 21, 1962. The duration of The Waves of the Danube is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Waves of the Danube's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viennese Waltzes by The Manhattan Pops. The song's track number on the album is #8 out of 11 tracks. The popularity of The Waves of the Danube is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since The Waves of the Danube by The Manhattan Pops has a tempo of 178 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With The Waves of the Danube being at 178 テンポ, the half-time would be 89 テンポ with a double-time of 356 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
Please Be Kind | The Manhattan Pops | A Major | 3 | 11B | 169 BPM | ||
"A" Como Amar | Olivier Toussaint, P. De Senneville | B Minor | 2 | 10A | 135 BPM | ||
The Ragtime Dance (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | E♭ Major | 2 | 5B | 95 BPM | ||
Theme From "Elvira Madigan" - From "Elvira Madigan" | Frank Chacksfield & His Orchestra | F Major | 1 | 7B | 179 BPM | ||
L'Amour en héritage (Only Love) | Richard Abel | G Major | 4 | 9B | 132 BPM | ||
Traumerei | George Nascimento | F Major | 0 | 7B | 103 BPM | ||
Pachelbel - Canon In D | Hollywood Symphony Orchestra | D Major | 1 | 10B | 102 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Kaiserwalzer, Op.437 (Emperor Waltz / Valse De L´Empereur / Valzer Dell´ Imperatore / Vals Del Emperador) | Ricci Ferra | C Major | 2 | 8B | 97 BPM |