John Williams, London Symphony Orchestra's 'Star Wars and the Revenge of the Sith' came out on May 3, 2005. Since Star Wars and the Revenge of the Sith is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Star Wars: Revenge of the Sith (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Star Wars and the Revenge of the Sith is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Star Wars and the Revenge of the Sith by John Williams, London Symphony Orchestra having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Star Wars Main Title and Ambush on Coruscant | John Williams, London Symphony Orchestra | F Major | 3 | 7B | 72 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B Major | 4 | 1B | 135 BPM | ||
Behind the Mask | John Paesano | G Minor | 1 | 6A | 88 BPM | ||
Charge | Marc Streitenfeld | E Minor | 5 | 9A | 99 BPM | ||
Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
Young Leia | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
Silver Surfer Theme | John Ottman | A Minor | 3 | 8A | 108 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |