André-Ernest-Modeste Grétry, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas made "La Caravane du Caire, Acte II: V. "Du Pacha qu'on révère"" available on August 25, 2014. The duration of La Caravane du Caire, Acte II: V. "Du Pacha qu'on révère" is about 3 minutes long, at 3:22. Based on our data, "La Caravane du Caire, Acte II: V. "Du Pacha qu'on révère"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André-Ernest-Modeste Grétry, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas's "Grétry: La caravane du Caire" album is number 20 out of 58. On top of that, Belgium appears to be the country where this track was created. La Caravane du Caire, Acte II: V. "Du Pacha qu'on révère" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Caravane du Caire, Acte II: V. "Du Pacha qu'on révère" by André-Ernest-Modeste Grétry, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 42, Op. 42: III. Recitativo "Meine Tränen sind" | Felix Mendelssohn, Ruth Ziesak, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | A Minor | 1 | 8A | 110 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Der Herbst: "Juchhe, der Wein ist da | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 2 | 7B | 118 BPM | ||
Kantate für Soli und Orchester, BWV 208: Was mir behagt, ist nur die muntre Jagd | Kolner Kammerorchester, Maria Stader | B♭ Major | 0 | 6B | 65 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
La Traviata: Noi siamo Zingarelle | The Royal Wind Music | F Minor | 1 | 4A | 136 BPM | ||
La Statira: Vien con nuova orribil guerra | Tomaso Albinoni, Maria Keohane, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Major | 9 | 12B | 128 BPM |