"Brideshead Revisited: No. 14, Desire" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. The duration of Brideshead Revisited: No. 14, Desire is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Brideshead Revisited: No. 14, Desire's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 14 out of 24. Based on our statistics, Brideshead Revisited: No. 14, Desire's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brideshead Revisited: No. 14, Desire by Adrian Johnston, Terry Davies, BBC Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The New House | Evgueni Galperine, Sacha Galperine | D♭ Minor | 0 | 12A | 72 BPM | ||
Darcy's Letter - From "Pride & Prejudice" Soundtrack | English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
Playing A Game Of "Go!" | James Horner | D Minor | 0 | 7A | 67 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 72 BPM | ||
For the World | Tan Dun, Itzhak Perlman, China Philharmonic Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Entirely Beloved - Cromwell's Theme - From "Wolf Hall" | Debbie Wiseman | G Minor | 3 | 6A | 110 BPM | ||
The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
Passacaglia and Fugue in C Minor, BWV 582: I. Passacaglia (Orch. Ottorino Respighi) | Johann Sebastian Bach, Leonard Slatkin, BBC Philharmonic | E♭ Major | 1 | 5B | 98 BPM | ||
Preying Penniless Woman - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | C Minor | 1 | 5A | 87 BPM | ||
La Vida Breve, G. 35, Act I, First Tableau, Scene VI: ¡Paco! ¡Paco! ¡Siempre juntos! (Salud) | Manuel de Falla, BBC Philharmonic, Juanjo Mena, RTVE Symphony Chorus, Nancy Fabiola Herrera, Cristina Faus, Aquiles Machado, Raquel Lojendio, Josep Miquel Ramón | E♭ Major | 1 | 5B | 76 BPM |