"Variations for Piano, Op. 27: 1. Sehr mäßig" by Anton Webern, Maurizio Pollini was released on January 1, 1995. With Variations for Piano, Op. 27: 1. Sehr mäßig being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Stravinsky: Three Dances from Petruschka'/ Prokofiev: Piano Sonata No.7 / Webern: Piano Variations". In this album, this song's track order is #7. In terms of popularity, Variations for Piano, Op. 27: 1. Sehr mäßig is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations for Piano, Op. 27: 1. Sehr mäßig by Anton Webern, Maurizio Pollini having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Fünf Lieder aus "Der Siebente Ring", Op. 3: V. Kahl reckt der Baum | Anton Webern, Charles Rosen | F Major | 0 | 7B | 61 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Teodor Currentzis, musicAeterna | A Major | 6 | 11B | 136 BPM | ||
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): V. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 114 BPM | ||
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": IV. Allegro. Andante. Adagio | Leoš Janáček, Melos Quartet | A♭ Minor | 1 | 1A | 98 BPM | ||
Vers la flamme, Op. 72 | Alexander Scriabin, Vladimir Ashkenazy | C Minor | 2 | 5A | 75 BPM | ||
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 1 | 9B | 67 BPM |