"Swan Lake Waltz" by Orchestre de la Suisse Romande, Ernest Ansermet was released on January 5, 2012. Since Swan Lake Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Strictly Waltz". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Austria. Based on our statistics, Swan Lake Waltz's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake Waltz by Orchestre de la Suisse Romande, Ernest Ansermet having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Georges Bizet, Kazuki Yamada, Orchestre de la Suisse Romande | A♭ Major | 0 | 4B | 167 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
El Sombrero de tres picos, Pt. 1: No. 4, Las uvas | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | D Major | 1 | 10B | 129 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 131 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Johannes Moser, Orchestre de la Suisse Romande, Andrew Manze | E Minor | 1 | 9A | 123 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM |