"Sonata in G Minor, "The Devil's Trill", B.g5: 3. Grave – Allegro assai" by Giuseppe Tartini, Yu-Chien Tseng, Rohan De Silva was released on January 13, 2017. Since Sonata in G Minor, "The Devil's Trill", B.g5: 3. Grave – Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Reverie". In this album, this song's track order is #3. Based on our statistics, Sonata in G Minor, "The Devil's Trill", B.g5: 3. Grave – Allegro assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in G Minor, "The Devil's Trill", B.g5: 3. Grave – Allegro assai by Giuseppe Tartini, Yu-Chien Tseng, Rohan De Silva having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Fantasiestücke, Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Sol Gabetta | D Minor | 1 | 7A | 92 BPM | ||
Violin Concerto No. 7 in A Minor, Op. 9: I. Moderato | Pierre Rode, Friedemann Eichhorn, South West German Radio Kaiserslautern Orchestra, Nicolás Pasquet | E Major | 2 | 12B | 114 BPM | ||
Romanian Folk Dances, Sz.56: VI. Allegro | Béla Bartók, Kurt Nikkanen, Rohan De Silva | F Major | 4 | 7B | 169 BPM | ||
Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | ||
Brahms: Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Vladimir Ashkenazy | B Major | 2 | 1B | 156 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) | Franz Schubert, Robert Koenig, Si-Qing Lu | D Major | 0 | 10B | 92 BPM | ||
Duo for 2 Violins in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Heinz Schunk, Ulrike Petersen | A Major | 1 | 11B | 122 BPM | ||
Concerto in E Major, D. 51: I. Allegro | Giuseppe Tartini, Adrian Chandler | E Major | 1 | 12B | 79 BPM | ||
Spanish Dances, Op. 21: No. 2, Habanera | Yu-Chien Tseng, Han-Chien LEE | A Minor | 1 | 8A | 177 BPM |