"The Tombstone (from "The Canterville Ghost")" by Howard Blake was released on March 12, 2021. The duration of The Tombstone (from "The Canterville Ghost") is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. The Tombstone (from "The Canterville Ghost")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Howard Blake's "Ghost Stories" album is number 11 out of 22. The Tombstone (from "The Canterville Ghost") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Tombstone (from "The Canterville Ghost") by Howard Blake to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Serenade In G Major: Eine Kleine Nachtmusik, K. 525: II. Romance: Andante | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | B Major | 0 | 1B | 36 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto | Wolfgang Amadeus Mozart, Alessio Bax, Simon Over, Southbank Sinfonia | A♭ Major | 0 | 4B | 73 BPM | ||
Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | ||
The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | E Major | 0 | 12B | 113 BPM |